How To Blitz! Grade 4 Theory
No more boring theory books! The unique feature of the 'How to Blitz' series is the conversational and informal style of the worksheets. Students are put at ease and find working through the texts an enjoyable experience.The workbooks are set out in a fun and easy-to-use format. Each concept is covered by step-by-step worksheets which ensure maximum understanding and minimum errors.
Overview
No more boring theory books! The unique feature of the ‘How to Blitz’ series is the conversational and informal style of the worksheets. Students are put at ease and find working through the texts an enjoyable experience.The workbooks are set out in a fun and easy-to-use format. Each concept is covered by step-by-step worksheets which ensure maximum understanding and minimum errors.
Recommended for
- Music Teachers
- Music Students
- Parents of Music Students
Introduction
How to Blitz! Theory Grade 4 contains more information, more revision and more worksheets than any other theory text book.
One of the best features is the clearest and easiest section on music notation ever written. It assumes you’ve never actually seen music before. If you already know how to read music, you will find this section SUPER EASY!!! Whizz through it and impress all your friends.
Although music theory applies to all instruments, not just piano, it is the piano keyboard that is most helpful in demonstrating certain things you need to learn, such as semitones and accidentals. The reason for this is that the piano keyboard is a visual pattern. If you are learning to play an instrument other than piano, you’ll find plenty of piano keyboard diagrams in the book to help you understand some of the concepts more easily.
Subtitle | Suitable for the AMEB Grade 4 Theory syllabus |
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Publisher | BlitzBooks Publications |
Series | How to Blitz! Theory |
Pages | 80 |
Format | Paperback |
Keys and Scales | Double Sharps and Double Flats | Modulating Melodies | Intervals | Diminished and Augmented Intervals | Quick Quiz | Introducing 12/8 | Introducing 6/4 | Syncopation | Rhythmic Revision Test | Introduction to Harmony | The Imperfect Cadence | The Interrupted Cadence | Supertonic-Tonic Endings | Timed Test | Puzzle | First Inversion Chords | Take a Break From Harmony | Cadence Points | Timed Test II | Harmonising the Whole Melody | Revision of Heaps of Stuff | Melody Writing Guidelines | Setting Words to Music | Form | Transposition | Terms and Signs | The Baroque Suite | The String Family | Absolute Final Revision Test | Test Paper... sort of